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Theatre, like other subjects in the humanities, has recently undergone quintessential changes in theory, approach, and research. Modern Drama - a collection of twelve essays from leading theatre and drama scholars - investigates the contemporary meanings and the cultural and political resonances of the terms inherent in the concepts of 'modern' and 'drama,' delving into a range of theoretical questions on the history of modernism, modernity, postmodernism, and postmodernity as they have intersected with the shifting histories of drama, theatre, and performance. Using incisive analyses of both modern and postmodern plays, the contributors examine varied topics such as the analysis of periodicity; the articulation of social, political, and cultural production in theatre; the re-evaluation of texts, performances, and canons; and demonstrations of how interdisciplinarity inflects theatre and its practice.Including work by Sue-Ellen Case, Elin Diamond, Harry J. Elam Jr, Alan Filewod, Erika Fischer-Lichte, Stanton B. Garner Jr, Shannon Jackson, Loren Kruger, Josephine Lee, David Savran, Michael Sidnell, and Ann Wilson, the collection highlights the importance of continuing to investigate not only critical texts but also the terms of the debate themselves. Incorporating both drama history and modern studies, this compilation will be an invaluable work to all scholars of theatre and drama, and as well as those students of the humanities and modernism.
Drama --- History and criticism --- anno 1900-1999 --- History and criticism.
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This volume, originally published in 2002, assembles the historical sequence of writings that Kant published between 1783 and 1796 to popularize, summarize, amplify and defend the doctrines of his masterpiece, the Critique of Pure Reason of 1781. The best known of them, the Prolegomena, is often recommended to beginning students, but the other texts are also vintage Kant and are important sources for a fully rounded picture of Kant's intellectual development. As with other volumes in the series there are copious linguistic notes and a glossary of key terms. The editorial introductions and explanatory notes shed light on the critical reception accorded Kant by the metaphysicians of his day and on Kant's own efforts to derail his opponents.
Philosophy --- Mental philosophy --- Philosophy. --- anno 1900-1999 --- Humanities --- Arts and Humanities
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History of Germany and Austria --- anno 1900-1999 --- Germany --- History --- Germany - History - 20th century
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Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive -- no laughing matter.In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the
Thematology --- anno 1900-1999 --- Grotesque in literature. --- Satire --- History and criticism. --- Satire - History and criticism.
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In these critical essays Gregory Stephenson takes the reader on a journey through the literature of the Beat Generation: a journey encompassing that common ethos of Beat literature-the passage from darkness to light, from fragmented being toward wholeness, from Beat to Beatific. He travels through Jack Kerouac's Duluoz Legend, following Kerouac's quests for identity, community, and spiritual knowledge. He examines Allen Ginsberg's use of transcendence in "Howl," discovers the Gnostic vision in William S. Burroughs's fiction, and studies the mythic, visionary power of Lawrence F
Beat generation. --- American literature --- Beat generation --- Beatniks --- Persons --- Bohemianism --- History and criticism. --- anno 1900-1999
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Schreier's close reading and his vigorous theoretical examination of analytical first principles combine to make a book that is valuable not only to the study of methodology but to the scrutiny of the very assumptions the humanities bring to the exploration of the way we think.
Cynicism in literature. --- American literature --- History and criticism. --- Thematology --- anno 1900-1999
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Beginning with an essay on the history and theory of poetic argument, he traces its patterns through Romantic and Modernist literature. He divides his subject into three areas: the paradoxes of reason, language, and argument. Poetic Argument surveys the writings of the five poets in light of what has to be "proved" and identifies the characteristic styles of proof for each. For example, in the chapter on Marianne Moore, Kertzer studies two expressions of poetic argument. The first regards poetry as a waking dream, combining the powers of sleep and calculation. The second, derived from Imagism, treats poetry as a special way of seeing. Kertzer suggests that the combination of these two elements produces Moore's characteristically intricate, but inconclusive, forms of argument.
English poetry --- American poetry --- Modernism (Literature) --- History and criticism. --- Poetry --- English literature --- anno 1900-1999
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In the twentieth century no form of experience has been more frequently taken up by poets eager to capture both the openness and fluidity of life and the aesthetic closure of an artwork than that of a walk. Examining the walk poem, Roger Gilbert contends that at its heart is the "desire to keep what we have lived." What is the appeal of the walk poem for modern American poets? According to Gilbert, it provides a ready-made frame within which to explore the full range of individual consciousness as it responds to and reflects on the world immediately at hand. The unstructured, plotless character of the walk allows poets to move freely from place to place, image to image, thought to thought. Suggesting that the walk poem strikes a compromise between the American obsession with process or movement and more traditionally mimetic concerns, Gilbert shows how it enables the poet to apprehend the world as horizon rather than landscape. Through perceptive and extended analyses of walk poems by Frost, Stevens, Williams, Roethke, Bishop, O'Hara, Snyder, Ammons, and Ashbery, he uncovers a spectrum of representational strategies for transforming passing experiences into the more lasting substance of poetry. Walks in the World addresses anyone who takes poetry seriously.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Walking in literature. --- American poetry --- History and criticism. --- Poetry --- American literature --- anno 1900-1999
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Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collapse into helpless laughter when things go wrong? In trying to answer these questions - usually ignored by theatre scholarship but of enduring interest to theatre professionals and audiences alike - Nicholas Ridout attempts to explain the relationship between these apparently unwanted and anomalous phenomena and the wider social and political meanings of the modern theatre. This book focuses on the theatrical encounter - those events in which actor and audience come face to face in a strangely compromised and alienated intimacy - arguing that the modern theatre has become a place where we entertain ourselves by experimenting with our feelings about work, social relations and about feelings themselves.
Theatrical science --- anno 1900-1999 --- Acting --- Stage fright. --- Stagefright --- Performance anxiety --- Speech anxiety --- Psychological aspects.
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This book is a groundbreaking study of etiquette in the nineteenth century when the success of etiquette books reached unprecedented heights in Britain, France, Italy, the Netherlands, and the United States. It positions etiquette as a fully-fledged theoretical concept within the fields of politeness studies and historical pragmatics. After tracing the origin of etiquette back to Spanish court protocol, the analysis takes a novel approach to key aspects of etiquette: its highly coercive and intricate scripts; the liminal rituals of social gatekeeping; the fear for blunders; the obsession with precedence. Interrogating the complex relationship between historical etiquette and adjacent notions of politeness, conduct, morality, convention, and ritual, the study prompts questions on gender stereotyping and class privilege surrounding the present-day etiquette revival. Through adopting a unique comparative approach and a corpus-based methodology this study seeks to revitalise our understandings of etiquette. This book will be of interest to scholars of historical linguistics and pragmatics, as well as those in neighbouring fields such as literary criticism, gender studies and family life, domestic and urban spaces. Annick Paternoster is a Lecturer at the University of Lugano, Switzerland. She lectures Rhetoric and Stylistics at the Istituto di studi italiani, where she pursues an interdisciplinary research agenda based on historical pragmatics, the pragmatics of politeness and metapragmatics of Italian. Born in Belgium, she holds a PhD from the University of Antwerp.
Historical linguistics --- Pragmatics --- Literature --- taalfamilies --- literatuur --- pragmatisme --- anno 1800-1899 --- anno 1900-1999 --- Etiquette. --- Etiquette --- Literature, Modern.. --- History --- Historical linguistics. --- Pragmatics. --- Literature. --- taalfamilies. --- literatuur. --- pragmatisme. --- anno 1800-1899. --- anno 1900-1999.
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